Titles pop into
my head. Then I carry them around in a portable compartment of my mind like a
favorite rock found on the beach or in front of me on my path and placed in a
pocket of my shirt or pants.
I worry them,
and they worry me. I don’t mean I give them a negative feeling or
interpretation. The titles and the stones are like question marks at the end of
perfectly good sentences. These sentences stand on their own, yet something is
coming next, and I don’t know what.
Sometimes the
stone just feels good in my hand, similar to how the title “Daffodils in
December” rings like a soft bell in my brain. The ‘D’ sounds are grounding; the
imagery of the words describe a bright feeling in the dim days of winter. Where
the stone promises a memory of the place it was found (a windswept day on the
California Coast), this title gives me hope, almost a yearning, of something
better to come. I play with it, roll it around in my head and look at it from
all angles. While my thumb runs across the one ragged ridge of the rock, my
mind keeps catching on the possibility of a story, probably more than one.
“But what is the
story?” I ask myself. “Who needs to have daffodils bloom in their life? Why
would it be important? What sign other than the visual of bright yellow on a
grey day does someone need to see?”
Gradually a
female character forms. In my bed under a pine ceiling, I stare at two knot
holes. Another piece of the story falls into my mind. The holes remind me of
the Cheshire Cat and its off-again-on-again smile. My main character’s turmoil
develops substance, and two male characters take their places on either side of
her and my queen-sized bed. They represent her dilemma.
It’s still a
work in progress but coming along nicely, I think. The title did not get lost,
although I have returned the stone to the general area where it was found. The
story will eventually be published through my website, www.standinginbalance.com as a PDF
download.
Working
diligently on my novel series is so engrossing that tripping over a title makes
me take a breath from the mind-challenges of carrying so many threads of story
lines presented in The Sacred Bundle Series. I don’t mind following the novel
characters anywhere they wish to go; that is, until they get into a spot they
can’t possibly wiggle out of. At this time, I backtrack to see what signpost
they missed. With a smaller project to distract me, I can lay my novel down,
refresh my mind with an unconnected challenge, then return to The Sacred Bundle
Series with a renewed slant on the lives and problems of Selena, Flyn, and
Amach, and now Dreag.
Having a title
to ponder gives me a beginning to wrap my imagination around. Plus I have a
shorter path to its ending. There was a time when my short stories happened the
other way: story first, title last. These required full-on attention
because the plot grabbed me and wouldn’t let me go until it was all written.
Luckily they had to sit for a time for mellowing and so I could un-attach from them.
Which left me to write more on The Series and return later for an editing
process.
“Daffodils in
December” has been a puzzle, and it is just about solved. I can tell because
another title has jiggled my brain. “Blackberry Dreams” is dancing off stage, and,
this time, a shell has found its way into my pocket and is nagging me into a
story.
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